FRANCHIR

to cross, to make one’s way through, to clear, to pass through

An exhibition on the Pont Saint-Ange

Friday 24 July to Friday 23 October 2026

English

Woman pushes stroller past a FRANCHIR exhibition panel of children on a trash-strewn Haitian beach.
Woman pushes stroller past a FRANCHIR exhibition panel of children on a trash-strewn Haitian beach.
FRANCHIR panel on a Paris fence: a boy does a handstand in a Kibera street as schoolgirls watch.
FRANCHIR panel on a Paris fence: a boy does a handstand in a Kibera street as schoolgirls watch.
FRANCHIR panel over railway tracks in Paris: a boy leaps across a trash-filled ravine in Haiti.
FRANCHIR panel over railway tracks in Paris: a boy leaps across a trash-filled ravine in Haiti.
A young girl in yellow looks up at a FRANCHIR panel of a capoeira performance in Kibera, Nairobi.
A young girl in yellow looks up at a FRANCHIR panel of a capoeira performance in Kibera, Nairobi.

This exhibition brings together six photographic narratives, created alongside women, young people, and communities living through exile, inequality, violence, or the upheavals of a changing climate. Faced with these realities, it's not enough [for photography] to bear witness. These portfolios aim to show the continuing acts of resistance, ingenuity, and continuity of the people experiencing these travails.

FRANCHIR explores the passages each of us is called to cross: a border, an ordeal, a rupture, or a fear. Like a bridge joining two banks, this exhibition honors anonymous heroes, working to transform lives and forge paths toward greater dignity, solidarity, and hope.

Each of these series accompanies local initiatives that are reshaping daily life. Far from a bird's eye view, these images are built in proximity to and in direct relationship with the communities on which they focus. They become instruments of storytelling and passage: images that travel. They make visible the complex and remote realities that often remain out of view. They restore the people at the heart of these stories to their rightful place at the center of the frame.

The exhibition is anchored by three movements: resist, rebuild, accompany. Together they trace a single current. Lives that press forward, rebuilding after each obstacle, and reshaping themselves within fragile circumstances.

Here, photography does not fix or freeze. It joins and engages. It opens a space where context becomes legible, where the way we look no longer stops at appearances, but reaches what can be understood, shared, and, perhaps, transformed. Like a bridge, it invites us to cross the visible and invisible borders that separate us, to reach the other, and to imagine a common future.

Smiling woman stands by charcoal sacks and water; pink sky, mountains behind. Northern Haiti.
Mother holds smiling 4-year-old after asylum win; Holy Trinity volunteers nearby. Washington, DC.
Seven teens dance in a worn schoolroom; boy in striped jersey smiles at center, mid-motion.

THE PHOTOBRIDGE PROJECT AND MYOP

The PhotoBridge Project is an international nonprofit initiative that connects documentary photographers with local NGOs working in fragile regions around the world. The project starts from a simple premise: organizations working closest to their communities rarely lack courage, but they often lack visibility. By bringing their stories into cultural and institutional spaces, The PhotoBridge Project turns them into catalysts for support and funding.

These reports were entrusted to documentary photographers from the MYOP agency, a Paris-based collective founded in 2005. Its name draws from a line by the poet Paul Éluard: "Mes Yeux, Objets Patients" ("My Eyes, Patient Objects"). Bringing together around twenty committed documentary photographers, MYOP champions a subjective, embodied, and rigorous approach to photography, published in the international press and exhibited at major festivals, including Visa pour l'Image, Rencontres d'Arles, and World Press Photo.

A black and white image of a woman looking directly ahead she holds a camera to her left side.

Agnès Dherbeys

Agnès Dherbeys, an award-winning photographer (Robert Capa Gold Medal, World Press Photo), documents questions of identity. She worked in the United States for The PhotoBridge Project.

A black and white image of a woman with long hair, she is looking up to her left into the corner of the image.

Chloe Sharrock 

Chloé Sharrock covers women's rights and contemporary crises, and is a laureate of the CNAP and the Grande Commande nationale. Her assignment took her to India.

A black and white image of a man looking straight ahead with a serious expression.

Oliver Jobard

A black and white image of a man wearing glasses with a shaved head, his head is tilted to the right.

Olivier Jobard has dedicated his work to migration and exile for more than twenty years (Visa d'Or, World Press Photo, Emmy Award). He worked in Syria and Haiti.

Guillaume Binet

Guillaume Binet, co-founder of both MYOP and The PhotoBridge Project (2025), documents conflict and collaborates with major humanitarian organizations. He carried out his reporting in Sri Lanka and Kenya.

Contacts

Karen Lambert

karen@thephotobridgeproject.org

+1 773 882 4042